SIZZLE REELS
If you don't have a sizzle reel you don't have a show. A well produce sizzle reel shows the networks that 1) you've got a good idea, 2) your particluar vision is worth while and 3) that they need YOU
to execute/produce that vision.
Here is where I come in. When it's your money and time on the line , the last thing you want to do is guess. Let's do it once and do it right.
If you already have a top sheet and a clear vision for your sizzle, I am available to consult or produce the entire project.
TOP SHEET/ "LEAVE BEHINDS"
The first point of contact for pitching your idea is your Topsheet. It is equivalent to a head shot for an actor or a model or a sizzle reel for a director or cinematographer. Its your calling card and the ONE thing anybody will ever really read all the way through. You need grab the readers attention immediately or you will undoubtly end up under a plie of really good ideas or most likely under a pile of mediore ones.
Let me help you make a great first impression.
STORY PRODUCER/ EDITOR
We can agree that the editing room is where the final story is told. It doesn't matter what you shot or how long it took to shoot it, if you do not have a strong editing team you are left with nothing more that incoherent clips. The editor effectively merges what you shot with the story that want to tell. This is where I shine best.
Think you have the next
hit reality TV show?
Great! So does everyone else! The days of showing up to a pitch meeting with just a great idea and a powerpoint are long gone. If you want to be taken seriously your show needs to be "packaged" correctly. That's where we come in. No matter where you are in the process, whether you are in the conception phase or just need help adding the finishing touches , I can help. You retain all rights and privileges* and I get to help you succeed. We both win.
